Review of The Padre (2018) by Glenn Kenny for RogerEbert.com — 27 Sep 2018
Director Jonathan Sobol has an apt if not avid eye for gritty and colorful locations, and when the movie is at its most loose-limbed it’s a pleasure to watch. But around the time the director resorts to a trunk-point-of-view shot that’s turned into a not-terribly-flattering imitation of “Pulp Fiction,” The Padre begins to take itself more seriously than the wafer-thin back stories of the opposing characters should allow.
You can read the full review where it was originally posted online.
This review of The Padre (2018) was written by Glenn Kenny and published by RogerEbert.com on 27 September 2018.
The Padre has generally received mixed reviews.
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