Review of The Replacement Killers (1998) by Sarah Kerr for The New Yorker — 11 Jan 2011
In the more anonymous American setting, and without the mad conviction of a director like John Woo, all the choreographed murder feels dull, poorly paced, and, come to think of it, pretty demented.
You can read the full review where it was originally posted online.
This review of The Replacement Killers (1998) was written by Sarah Kerr and published by The New Yorker on 11 January 2011.
The Replacement Killers has generally received mixed reviews.
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