Review of The Sky Is Everywhere (2022) by Natalia Winkelman for The New York Times — 10 Feb 2022
Too many works aimed at younger age groups ooze with sentimentality or buckle under a condescending tone. Here, in figurative voice-over full of imagery, we receive Lennie’s unbridled imagination and worldview.
You can read the full review where it was originally posted online.
This review of The Sky Is Everywhere (2022) was written by Natalia Winkelman and published by The New York Times on 10 February 2022.
The Sky Is Everywhere has generally received mixed reviews.
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