Review of Three Colors: Red (1994) by Peter Bradshaw for The Guardian — 12 Sep 2021
With music by Zbigniew Preisner, it is an almost supernatural contrivance: brooding on coincidence, fate and the insoluble mystery of other people’s lives, with some cosmic parallels and existential echoes that recall his earlier film The Double Life of Véronique.
And all in a tone somehow both playful and laden with gnomic seriousness.
You can read the full review where it was originally posted online.
This review of Three Colors: Red (1994) was written by Peter Bradshaw and published by The Guardian on 12 September 2021.
Three Colors: Red has generally received very positive reviews.
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