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Last updated: 23 Apr 2025 at 15:16 UTC

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Review of by Pauline Kael for The New Yorker — 13 Aug 1987

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In a spirit of levity, contused by frequent doses of shock, Mr. Lubitsch has set his actors to performing a spy-thriller of fantastic design amid the ruins and frightful oppressions of Nazi-in-vaded Warsaw.

To say it is callous and macabre is understating the case.

You can read the full review where it was originally posted online.

This review of To Be or Not to Be (1942) was written by and published by The New Yorker on 13 August 1987.

To Be or Not to Be has generally received very positive reviews.

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