Review of Unforgiven (1992) by Michael Sragow for The New Yorker — 02 Sep 1999
As great as the script and cinematography are (they are both unassailable), the real magic of Unforgiven is in the performances.
You can read the full review where it was originally posted online.
This review of Unforgiven (1992) was written by Michael Sragow and published by The New Yorker on 02 September 1999.
Unforgiven has generally received very positive reviews.
Was this review helpful?
Yes
No
