Review of You Should Have Left (2020) by Maya Phillips for The New York Times — 19 Jun 2020
Koepp and Kehlmann’s screenplay fails to properly set the groundwork for the film’s final twist, instead dropping egregious and poorly incorporated hints on the sluggish march to a telegraphed conclusion.
And the direction, too, feels languid, almost mechanical, with rote terrors and tones robbed from horror movies past.
You can read the full review where it was originally posted online.
This review of You Should Have Left (2020) was written by Maya Phillips and published by The New York Times on 19 June 2020.
You Should Have Left has generally received mixed reviews.
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