Movie Reviews by Adam Patterson - Page 2 of 3

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Review of The Boy Downstairs (2018)

By Adam Patterson (58) for Film Pulse (91) on 29 Nov 2018

Sophie Brooks' script is snappy and fun, injecting a smart indie vibe into what would otherwise be a by-the-numbers rom-com…

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Review of Braid (2019)

By Adam Patterson (58) for Film Pulse (91) on 29 Nov 2018

Bolstered by its kinetic cinematography and stellar production design, Mitzi Peirone's surreal nightmare Braid is a crazy fever dream of…

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Review of American Animals (2018)

By Adam Patterson (58) for Film Pulse (91) on 29 Nov 2018

While American Animals might be as ambitious as The Imposter, it fails to hit the same levels of brilliance though it remains an entertaining watch…

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Review of Flower (2017)

By Adam Patterson (58) for Film Pulse (91) on 29 Nov 2018

While consistently raunchy, Flower manages to remain funny even after the final act takes a tonal shift and heads into even darker territory…

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Review of The Lodgers (2017)

By Adam Patterson (58) for Film Pulse (91) on 29 Nov 2018

Strong visuals alone can't save The Lodgers from being a dreadfully average and dull horror experience…

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Review of Boiled Angels: The Trial of Mike Diana (2018)

By Adam Patterson (58) for Film Pulse (91) on 29 Nov 2018

Boiled Angels has a notably grungy, bargain-basement look, with cheap-looking effects work and inconsistent storytelling techniques…

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Review of The Endless (2017)

By Adam Patterson (58) for Film Pulse (91) on 29 Nov 2018

The Endless is a masterfully crafted genre hybrid that solidifies Justin Benson and Aaron Moorhead as two of the most interesting and…

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Review of The Insufferable Groo (2018)

By Adam Patterson (58) for Film Pulse (91) on 25 Nov 2018

Groo's dedication to filmmaking is admirable, and Christopherson presents that in a well-crafted documentary that's an easily recommended watch…

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Review of Gags the Clown (2019)

By Adam Patterson (58) for Film Pulse (91) on 25 Nov 2018

Another poorly executed, found-footage movie that adds to an already-overflowing pile of forgettable titles just like it…

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Review of Upgrade (2018)

By Adam Patterson (58) for Film Pulse (91) on 25 Nov 2018

With its gut-punch, rug-pulling, balls-out ending Upgrade is not to be missed and proves that there's still a place for smaller-scale sci-fi faire…

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Review of The Distant Barking of Dogs (2017)

By Adam Patterson (58) for Film Pulse (91) on 25 Nov 2018

An intimate, stirring portrayal of life during wartime…

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Review of Mandy (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

A chaotic, drug-fuelled, heavy metal, balls-to-the-wall extravaganza of violence and carnage…

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Review of Mega Time Squad (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

An entertaining romp that poses the question of what would happen if an utterly inept criminal gained the ability to time travel…

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Review of Sorry to Bother You (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

An absurdist comic gem that starts off playfully odd before pushing you off a cliff with its off-the-wall weirdness…

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Review of Summer of 84 (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

Although it doesn't hit the same peaks that Turbo Kid did, Summer of '84 is a fun throwback film for those wanting some solid '80s nostalgia…

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Review of The Captain (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

Utterly enthralling from minute one, The Captain is a wild ride with an incredibly bonkers end-credit sequence and, though a difficult…

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Review of Madeline's Madeline (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

You're a visitor in Madeline's world, and though it may be scary at times, it's an experience you won't soon forget…

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Review of Puppet Master: The Littlest Reich (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

It's sleazy and sloppy, but leaning in to the comedic aspects of the series and doubling down on the variety of murder puppets makes for an…

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Review of Hurt (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

A slow-burn slasher that doesn't amount to much…

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Review of The Predator (2018)

By Adam Patterson (58) for Film Pulse (91) on 20 Nov 2018

Like the super predator, what we're left with is an 11-foot hybrid monster that probably shouldn't have attempted this evolution…

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Page 2 of 3

Adam Patterson has written reviews for:

Film Pulse (91)

Adam Patterson is connected to:

Blake Crane (142)

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