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Last updated: 23 Apr 2025 at 16:15 UTC

Movie Reviews by Alexandra Heller-Nicholas - Page 2 of 4

21-40 of 78 Reviews

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Review of Valley of the Dolls (1967)

By Alexandra Heller-Nicholas (78) for Senses of Cinema (66) on 26 Aug 2018

Valley of the Dolls rose from the ashes to become a so-bad-it's-good cult film of the highest order…

Review of Unfriended (2014)

By Alexandra Heller-Nicholas (78) for ABC News (Australia) (10) on 26 Aug 2018

The centrality of the laptop screen in Unfriended has been identified by some critics as a new or experimental take on found footage…

Review of Waru (2017)

By Alexandra Heller-Nicholas (78) for AWFJ Women on Film (16) on 26 Aug 2018

This film seeks to give voice in a profoundly moving, honest and intelligent way to a pain that can barely be described, rendering Waru…

Review of Frank & Lola (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Ross's film is succinct and confident, and the film's force in large part stems from its no-nonsense approach…

Review of National Bird (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

It is a thoughtful, sensitive and probing look at the ethics of drone warfare, carefully balancing its focus on those who press the buttons…

Review of Cameraperson (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

An autobiography of sorts, Cameraperson demands we think beyond Johnson's own extraordinary career and reflect upon our own status as…

Review of The Wailing (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

The Wailing's is a world where histories, identities, cultures, realities and generic codes and conventions collapse in spectacular,…

Review of The Handmaiden (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Once again Park finds himself immersed in a world of woman-driven intrigue, and like Stoker before it The Handmaiden is concerned with the…

Review of The Greasy Strangler (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

You embrace The Greasy Strangler for what it is: surrender to its vile idiocy and have the time of your life, or walk away, dull, boring…

Review of Aaaaaaaah! (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

AAAAAAAAH! is ultimately a poignant examination of the contemporary urban rituals that surround class, gender, identity and violence…

Review of John Wick: Chapter 2 (2017)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

John Wick: Chapter 2 doesn't radically subvert the genre, but it doesn't intend to…

Review of Casting JonBenet (2017)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Green's film is difficult and challenging, but it is not lazy…

Review of Suntan (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

To leave a film feeling as utterly dejected, defeated and sullied shouldn't be so rapturous an experience, and yet, somehow, that is…

Review of Jill Bilcock: Dancing the Invisible (2018)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

While perhaps typical of the ... praise that…

Review of How Heavy This Hammer (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

In his tale of repressed game-addicted dad Erwin (Erwin Van Cotthem), Radwanski looks not for a simple tabloid scapegoat, but digs deeper…

Review of Eastern Boys (2013)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

This is a tough, important film, and one that wields ambivalence like a cudgel…

Review of The Eyes of My Mother (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

The Eyes of My Mother is an insightful, meaningful, and exquisitely beautiful horror film, and undoubtedly one of the genre's most…

Review of Heart of a Dog (1988)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Like much of Anderson's work, Heart of a Dog takes the form of casually constructed, almost meandering reminiscences, while at the same…

Review of The Tribe (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Little can prepare you for The Tribe in a number of senses, but it is unhesitatingly a film that should be considered essential for anyone…

Review of Baskın (2013)

By Alexandra Heller-Nicholas (78) for 4:3 (202) on 24 Aug 2018

Baskin at its heart both reveals and revels in the self-defeating, inescapable rituals of masculinity, and the visceral, inescapable…

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