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Last updated: 23 Apr 2025 at 10:45 UTC

Movie Reviews by Beatrice Loayza - Page 3 of 5

41-60 of 94 Reviews

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Review of Superior (2022)

By Beatrice Loayza (94) for The Playlist (3,871) on 14 Feb 2022

Superior falls short of inhabiting the period within which it purports to exist…

Review of I Want You Back (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 10 Feb 2022

I Want You Back isn’t particularly clever or emotionally stirring, but it does briskly deliver on the corny promises of the genre,…

Review of La Soga: Salvation (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 27 Jan 2022

Perez is a flimsy leading man, and the film around him — a modest production that doesn’t exactly hide its budgetary shortcomings —…

Review of A Shot Through the Wall (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 20 Jan 2022

Though attentive to calls for police accountability, and the media’s role in reducing complex issues into simple narratives, Long’s…

Review of Donkeyhead (2023)

By Beatrice Loayza (94) for The New York Times (9,847) on 20 Jan 2022

Despite her minor rebellions, Mona remains a frustratingly opaque character; a stereotypically troubled woman whose eventual awakening…

Review of Reopening Night (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 29 Dec 2021

So many things can and do go wrong, but this production diary’s most intriguing element is the way it considers the value of art at a…

Review of The Lady of Heaven (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 10 Dec 2021

The film runs through plot points in appropriately spectacular, if mechanical, fashion…

Review of Red Pill (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 03 Dec 2021

The main issue is the film’s trite commentary on America’s political and racial divides (see also: last year’s “The Hunt”), which…

Review of This Is Not a War Story (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 18 Nov 2021

This Is Not a War Story, which Lugacy also directed, is a naturalistic, chat-heavy narrative that captures the difficulties wrought by the…

Review of Prayers for the Stolen (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 17 Nov 2021

The film swings back and forth from scenes of pastoral bliss to brutality, generating a narrative that, while unfocused, is nevertheless…

Review of Red Notice (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 11 Nov 2021

Uninterested in world building or creating any sense of stakes, Red Notice is merely an expensive brandishing of star power — only the…

Review of Cusp (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 11 Nov 2021

A portrait of modern girlhood, this documentary ultimately becomes a bleak look at the normalization of sexual abuse among the very…

Review of Speer Goes to Hollywood (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 02 Nov 2021

“Speer” is an intriguing document, highlighting the ease with which the most reprehensible figures are able to whitewash their legacies…

Review of Escape from Mogadishu (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 21 Oct 2021

With little interest in elucidating the conflict at hand, much less in distinguishing between the various Somali parties in play,…

Review of The Blazing World (2021)

By Beatrice Loayza (94) for The Playlist (3,871) on 15 Oct 2021

As the film builds up to its climax, we realize Young’s understanding of mental illness lacks any real depth or complexity, betraying the…

Review of No Time to Die (2021)

By Beatrice Loayza (94) for Polygon (677) on 08 Oct 2021

It would be easier to be less cynical if No Time to Die convincingly delivered on its commitments to Bond’s humanity, rather than nudging…

Review of Ascension (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 07 Oct 2021

This aestheticization of Chinese society doesn’t exactly sit well with this viewer: one wonders if this counts as a kind of tourism…

Review of Jacinta (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 07 Oct 2021

This is not a happy story. The lucidity with which these subjects speak to their own mistakes and sorrows will leave you haunted…

Review of Falling for Figaro (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 30 Sep 2021

[A] thoroughly generic and often monotonous romance…

Review of Stop and Go (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 30 Sep 2021

Everton and Call are charming enough, and Everton is a particularly magnetic physical performer, but their high jinks…

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