Movie Reviews by Christian Gallichio - Page 3 of 5

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Review of America: The Motion Picture (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 07 Jul 2021

America: The Motion Picture only works in fits and starts, more a series of discrete parodies than coherent film…

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Review of The Ice Road (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 29 Jun 2021

The Ice Road is a serviceable, if incredibly convoluted, addition to a recent run of bland action movies that ask the actor to do the bare…

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Review of Brighton 4th (2022)

By Christian Gallichio (84) for The Playlist (3,871) on 19 Jun 2021

Brighton 4th might be slower and lack the dramatic stakes of other films that dive into this type of criminal activity, it’s still a…

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Review of No Man of God (2021)

By Christian Gallichio (84) for The Film Stage (3,162) on 19 Jun 2021

Sealey’s film may not add up to a fully realized and coherent film, she has nevertheless made an engrossing feature that recontextualizes…

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Review of Brian Wilson: Long Promised Road (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 18 Jun 2021

While occasionally dipping into adulation, especially when Fine gently probes Wilson to speak about some aspect of his life, the film is an…

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Review of 7 Days (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 18 Jun 2021

While 7 Days occasionally goes too broad in juxtaposing Ravi and Rita, sometimes pitting them as ideological binaries instead of fully…

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Review of The Amusement Park (2021)

By Christian Gallichio (84) for The Film Stage (3,162) on 04 Jun 2021

It doesn’t always work as a coherent whole, but The Amusement Park is still a fascinating experiment from a director at the height of his…

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Review of Those Who Wish Me Dead (2021)

By Christian Gallichio (84) for The Film Stage (3,162) on 14 May 2021

Those Who Wish Me Dead is a violent, enjoyable action film that doesn’t aspire to preach…

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Review of Cherry (2021)

By Christian Gallichio (84) for The Film Stage (3,162) on 25 Feb 2021

The Russos are obviously ambitious in their treatment, cramming what amounts to half-a-dozen features into this nearly 2.5-hour film…

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Review of The Mauritanian (2021)

By Christian Gallichio (84) for The Playlist (3,871) on 12 Jan 2021

In the end, The Mauritanian is an efficient procedural that condemns the Bush-era treatment of detainees more effectively than any other…

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Review of The Dissident (2020)

By Christian Gallichio (84) for The Playlist (3,871) on 24 Dec 2020

While not the sweeping historical exploration of “Kingdom of Silence,” Fogel’s film vigorously interrogates the reasons and methods…

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Review of Billie (2020)

By Christian Gallichio (84) for The Film Stage (3,162) on 03 Dec 2020

When the film is focused on showcasing Holiday, it’s a truly captivating documentary…

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Review of I Lost My Body (2019)

By Christian Gallichio (84) for The Film Stage (3,162) on 03 Dec 2020

I Lost My Body is aesthetically beautiful, surreal, clever, and truly profound in its offbeat dealings with trauma…

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Review of Ma Rainey's Black Bottom (2020)

By Christian Gallichio (84) for The Film Stage (3,162) on 03 Dec 2020

Like Fences, Ma Rainey is an actor’s showcase, yielding exemplary work from Davis and tragically indicating a complex range from Boseman…

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Review of Billie (2020)

By Christian Gallichio (84) for The Film Stage (3,162) on 03 Dec 2020

When the film is focused on showcasing Holiday, it’s a truly captivating documentary…

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Review of Fireball: Visitors from Darker Worlds (2020)

By Christian Gallichio (84) for The Playlist (3,871) on 15 Nov 2020

For those willing to spend ninety-plus minutes with Herzog as he riffs on the wonders of space, “Fireball” is a heartfelt tribute to…

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Review of Hillbilly Elegy (2020)

By Christian Gallichio (84) for The Film Stage (3,162) on 10 Nov 2020

In the end, Hillbilly Elegy is shameless Oscar bait only redeemed by Close and Bennett’s restrained work…

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Review of 76 Days (2020)

By Christian Gallichio (84) for The Film Stage (3,162) on 19 Sep 2020

While at times a brutal watch, with the film’s insistence on showing the ravages of COVID-19 in up-close detail, 76 Days will, I suspect,…

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Review of The Secrets We Keep (2020)

By Christian Gallichio (84) for The Film Stage (3,162) on 17 Sep 2020

The Secrets We Keep is a film in search of a more coherent message…

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Review of Black Water: Abyss (2020)

By Christian Gallichio (84) for The Playlist (3,871) on 10 Aug 2020

While Trauki’s film may not go down in the pantheon of killer creature features, like the similarly themed “47 Meters Down: Uncaged,”…

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Christian Gallichio has written reviews for:

The Playlist (3,871)
The Film Stage (3,162)

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