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Last updated: 23 Apr 2025 at 07:03 UTC

Movie Reviews by G. Allen Johnson - Page 4 of 26

61-80 of 514 Reviews

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Review of The Intruder (2005)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 08 Mar 2022

One of the most visually sumptuous movies you will see this year…

Review of After Yang (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 02 Mar 2022

With “After Yang,” the distinctive filmmaker Kogonada has made a movie that is at once ambitious yet timid, asking big questions but…

Review of The Sky Is Everywhere (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 10 Feb 2022

Decker proudly revels in Lennie’s scattered uniqueness, even as Lennie navigates the minefield of her choices and says some truly kooky…

Review of Jackass Forever (2022)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 02 Feb 2022

So it’s not my bag, but I went into Jackass Forever with the best intentions…

Review of Bad Luck Banging or Loony Porn (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 20 Jan 2022

Bad Luck Banging or Loony Porn is provocative and irritating — and intentionally so…

Review of Jockey (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 19 Jan 2022

It’s as if someone made a backstage musical without any musical numbers, just the backstage part…

Review of Swan Song (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 17 Dec 2021

Swan Song, of course, belongs to Ali…

Review of Drive My Car (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 09 Dec 2021

Like Yûsuke’s beloved classic Saab 9000 that Misaki drives ever so carefully, Drive My Car moves ahead with smooth confidence and a…

Review of Writing with Fire (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 03 Dec 2021

Writing With Fire, directed by Sushmit Ghosh and Rintu Thomas, tags along with these remarkable women as they go about their work…

Review of C'mon C'mon (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 22 Nov 2021

To imagine the future, one must consider the past and be active in the present. C’mon C’mon is about the present, and how precious it truly is…

Review of Encanto (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 16 Nov 2021

Every character, even minor ones, is well thought out and cast; the eye-popping visual design is not only inspired and mesmerizing but also…

Review of The Souvenir: Part II (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 03 Nov 2021

The first film seemed a fully formed, lived-in world…

Review of Paranormal Activity: Next of Kin (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 29 Oct 2021

The “Paranormal Activity” films, to their credit, build slowly, backloading the chills in the second half…

Review of Hypnotic (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 28 Oct 2021

This is the kind of made-for-cable-level movie where a pedestrian script (by Richard D’Ovidio) with the usual horror cliches is elevated…

Review of Becoming Cousteau (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 20 Oct 2021

As the documentary was produced by National Geographic with the cooperation of the Cousteau Society, Garbus has access to some fabulous,…

Review of Bergman Island (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 19 Oct 2021

One of the most playful films about cinema in recent memory, and even with its angst, is more joyful than any film Bergman made on the island…

Review of The Guilty (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 27 Sep 2021

So while Fuqua’s The Guilty is not much different from the original, his direction is crisp, Gyllenhaal’s performance grows on you and…

Review of The Most Beautiful Boy in the World (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 27 Sep 2021

The absorbing rags-to-riches-to-rags story — a must for any classic film fan — is told in The Most Beautiful Boy in the World, directed…

Review of Cry Macho (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 15 Sep 2021

But Eastwood is undercut by the unbearably weak screenplay by Nick Schenk, who adapts a 1975 novel by N. Richard Nash…

Review of The Eyes of Tammy Faye (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 15 Sep 2021

Showalter’s The Eyes of Tammy Faye, which credits the documentary as its inspiration, recreates some of the doc’s scenes almost…

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