Movie Reviews by Lindsey Bahr - Page 3 of 22

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Review of Slumberland (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 16 Nov 2022

Slumberland is not a terrible movie and it may very well spark your imagination or tug at your heartstrings (though sweet kids crying over…

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Review of Spirited (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 10 Nov 2022

Though Spirited comes up short as a musical, it is still pretty enjoyable…

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Review of Spirited (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 10 Nov 2022

Though Spirited comes up short as a musical, it is still pretty enjoyable…

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Review of Armageddon Time (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 27 Oct 2022

Gray does a wonderful job painting a portrait of a moment of cultural upheaval through these two boys, their opportunities, their support…

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Review of Aftersun (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 19 Oct 2022

Young fathers, especially the single sort, don’t get a lot of love from the movies and “Aftersun” is partly an ode to that very…

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Review of Aftersun (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 19 Oct 2022

Young fathers, especially the single sort, don’t get a lot of love from the movies and “Aftersun” is partly an ode to that very…

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Review of The Banshees of Inisherin (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 18 Oct 2022

The Banshees of Inisherin is a rich, soulful journey, full of agony, dry Irish wit and big, haunting questions…

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Review of Decision to Leave (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 13 Oct 2022

It lulls the viewer, along with the protagonist, into a misty, dreamlike delirium until you’re not even certain of what’s right in…

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Review of Triangle of Sadness (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 05 Oct 2022

Triangle of Sadness, which clocks in at almost two and a half hours, is at its sharpest before the symphony of bodily fluids and survival…

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Review of Hocus Pocus 2 (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 29 Sep 2022

Directed by Anne Fletcher, Hocus Pocus 2 goes down easy — though by the time the entire town breaks out into a dance to “One Way or…

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Review of Catherine Called Birdy (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 21 Sep 2022

Catherine Called Birdy is an unabashed delight for everyone. It just might run a little deeper for a certain age group…

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Review of The Woman King (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 15 Sep 2022

The film is exactly what you need it to be: An exciting and emotionally true spectacle that required a heck of a fight to simply exist…

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Review of Me Time (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 25 Aug 2022

Me Time somehow squanders a solid premise, a stacked cast and a seemingly unlimited budget…

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Review of Me Time (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 25 Aug 2022

Me Time somehow squanders a solid premise, a stacked cast and a seemingly unlimited budget…

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Review of Three Thousand Years of Longing (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 23 Aug 2022

Miller gets to play in a wide array of cultures as the djinn skips through time, all with their own shimmering palettes and fairy tale hyperrealism…

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Review of Bodies Bodies Bodies (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 03 Aug 2022

Dripping in neon, platitudes, sweat and fear, “Bodies Bodies Bodies...is playful, cutting and never dull…

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Review of DC League of Super-Pets (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 26 Jul 2022

Johnson and Hart seem to have fun, too, but a fair amount of their charm as a comedic duo is lost without their physical presence — not…

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Review of Nope (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 20 Jul 2022

Nope has also already had some critics throwing out less than favorable M. Night Shyamalan references. But it is full of vibrant life, too…

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Review of Persuasion (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 12 Jul 2022

It is like an Austen amuse bouche — an entry-level cover version that tries to rev up the humor and speak directly to Gen Z by using its…

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Review of The Sea Beast (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 06 Jul 2022

The Sea Beast is notable for its refusal to dumb itself down for a young audience…

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