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Last updated: 23 Apr 2025 at 11:33 UTC

Movie Reviews by Mark Kermode - Page 3 of 51

41-60 of 1,002 Reviews

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Review of The Forgiven (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 04 Sep 2022

Lorne Balfe’s sparsely used music leaves plenty of open spaces for the drama to breathe, as if inviting the audience to fill in the…

Review of Nope (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 14 Aug 2022

The film too often seems to be heading somewhere extraordinary, only to disappear into an ambitious conceptual hole that, while…

Review of Hit the Road (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 01 Aug 2022

It’s that blend of heartbreak and joy, profundity and absurdity that is the key to this enchanting movie’s magical spell…

Review of She Will (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 26 Jul 2022

A thrillingly intense central performance by Alice Krige (who earned her genre spurs in the underrated 1981 screen adaptation of Peter…

Review of Brian and Charles (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 15 Jul 2022

The result has homemade charm to spare, proving delightfully ridiculous but also poignant…

Review of Good Luck to You, Leo Grande (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 20 Jun 2022

None of which is to say that Good Luck to You, Leo Grande isn’t admirably subversive and enjoyably whimsical fare…

Review of Jurassic World Dominion (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 12 Jun 2022

It doesn’t help that Dominion spends a good deal of time trying to figure out what story to tell and which genre (or country) to tell it in…

Review of Top Gun: Maverick (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 29 May 2022

Top Gun: Maverick offers exactly the kind of air-punching spectacle that reminds people why a trip to the cinema beats staying at home and…

Review of Benediction (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 22 May 2022

Behind it all is an endlessly saddening search for that transformative sacrament evoked by the film’s title – alluring yet elusive…

Review of Benediction (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 22 May 2022

Behind it all is an endlessly saddening search for that transformative sacrament evoked by the film’s title – alluring yet elusive…

Review of Everything Everywhere All at Once (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 15 May 2022

The result may be a tad overlong and convolutedly overstuffed, but it made me laugh, cry and think – which is more than can be said for…

Review of This Much I Know to Be True (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 08 May 2022

The atmosphere is stripped down and austere, allowing the songs to speak for themselves as they transport us from this world to the next…

Review of The Northman (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 18 Apr 2022

While the Norns-of-fate narrative may contrive several reversals of fortune and sympathy, there’s little of the genuinely uncanny…

Review of Compartment No. 6 (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 12 Apr 2022

Beautifully believable performances from Haarla and Borisov add emotional weight, rivalling the nuanced naturalistic charm of Ethan Hawke…

Review of True Things (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 04 Apr 2022

With great physical poise and precision, Wilson (who optioned and developed the source book) engages the audience on a visceral level, her…

Review of Paris, 13th District (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 21 Mar 2022

This is a playfully sensuous affair that wonders what happens to slow-burn intimacy when mediated by the urgency of the online world…

Review of Red Rocket (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 13 Mar 2022

As for Baker and regular co-writer Chris Bergoch, they refrain from judging their characters, observing the world from Mikey’s maniacally…

Review of The Duke (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 02 Mar 2022

While The Duke is never quite as surprising as the case that inspired it, it nonetheless retains a much-needed astringent streak…

Review of Flee (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 13 Feb 2022

This is a triumph-of-the-human-spirit story as dramatic as the most finely wrought melodrama, with flashes of vintage newsreels reminding…

Review of Nightmare Alley (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 23 Jan 2022

Years ago, I compared Del Toro to Orson Welles, a film-maker who instinctively understood the hypnotic power of cinema to dazzle, delight…

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