Movie Reviews by Sheri Linden - Page 3 of 49

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Review of A Mouthful of Air (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 27 Oct 2021

Though it’s not without cinematic touches and affecting, sometimes harrowing moments, and even with a convincingly fragile and unmoored…

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Review of No Future (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 22 Oct 2021

The drama around them too often lands rather neatly on the surface, saying exactly what it means, but through the unpredictability of its…

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Review of Charlotte (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 16 Oct 2021

The film is steeped in beauty at least as much as it is in sorrow, the dance of Mediterranean light — Salomon would spend a good portion…

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Review of The First Wave (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 15 Oct 2021

Now, more than a year and a half into the novel coronavirus pandemic, Matthew Heineman’s intensely intimate documentary arrives as a…

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Review of Freeland (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 14 Oct 2021

There isn’t a false note in any of the film’s performances, and within its brief running time, writer-directors Mario Furloni and Kate…

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Review of Karen Dalton: In My Own Time (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 12 Oct 2021

In My Own Time, which takes its title from her second album, is in tune with the haunting poetics of her work…

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Review of The Tender Bar (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 11 Oct 2021

If it struggles to find a rhythm, especially in the early going, there’s no question that it sends you off on a gentle high…

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Review of Ghostbusters: Afterlife (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 09 Oct 2021

As franchise update, origin story, coming-of-age movie, comedy and indulgent f/x extravaganza, the feature, written by the director and Gil…

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Review of Knocking (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 07 Oct 2021

First-time feature director Frida Kempff embraces and revamps genre tropes, casting them in a trenchant feminist light and a…

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Review of Bitterbrush (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 18 Sep 2021

As the filmmaker traces a season of range riding for two exceptionally skilled and resourceful young women, her documentary becomes more…

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Review of The Good House (2022)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 18 Sep 2021

There are big questions churning beneath the story, yet even Hildy’s personal turmoil feels somehow too neat…

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Review of Smile (2005)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 14 Sep 2021

Causes don't get much worthier, and Smile is a labor of love, a portion of the film's proceeds earmarked for the humanitarian group…

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Review of The Meaning of Hitler (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 19 Aug 2021

An intellectual inquiry with burning present-day resonance, The Meaning of Hitler is also a road trip through some of the darkest chapters…

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Review of Pig (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 12 Jul 2021

Pig isn’t the gripping mystery Sarnoski might have intended, but as a crawl through the underbelly of a hipster city’s glamorous foodie…

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Review of Val (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 11 Jul 2021

The helmers don’t aim to be comprehensive…

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Review of Val (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 11 Jul 2021

The helmers don’t aim to be comprehensive…

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Review of The Loneliest Whale: The Search for 52 (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 09 Jul 2021

The preceding journey might have been smoother, but the doc is a reminder that we still know so little about the oceans and their…

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Review of Brian Wilson: Long Promised Road (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 18 Jun 2021

In his interactions with his band, with Fine, with his family (eldest daughter Carnie Wilson appears in the film but isn’t interviewed),…

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Review of A Crime on the Bayou (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 16 Jun 2021

Choppily told but thoughtful and illuminating, writer-director Buirski’s latest film completes a trilogy about the civil rights era,…

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Review of The Woman in the Window (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 13 May 2021

Effectively moody but offering frustratingly skin-deep chills, The Woman in the Window underestimates its hero in more than ways than one…

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