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Last updated: 23 Apr 2025 at 05:33 UTC

Movie Reviews by Simon Abrams - Page 4 of 37

61-80 of 730 Reviews

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Review of Don't Make Me Go (2022)

By Simon Abrams (730) for TheWrap (3,203) on 15 Jul 2022

Unfortunately, the movie’s unexpected plot twist violently re-directs its treacly uplift narrative for the sake of a Hail Mary conclusion…

Review of Gone in the Night (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 15 Jul 2022

For better and worse, Gone in the Night feels like the directorial debut of a podcaster, somebody who knows the value of storytelling…

Review of Earwig (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 15 Jul 2022

Hadžihalilović's latest is both too hazy to make a great adaptation and too focused to be genuinely dream-like…

Review of The Gray Man (2022)

By Simon Abrams (730) for TheWrap (3,203) on 14 Jul 2022

Each gun- or fist-fight features a few cool individual images, but these standalone elements never exceed the Russos’ blurry presentation…

Review of The Deer King (2021)

By Simon Abrams (730) for TheWrap (3,203) on 14 Jul 2022

Unfortunately, The Deer King fatally (and repeatedly) stalls as its plot starts winding down and its creators lunge for a character-driven…

Review of Hallelujah: Leonard Cohen, a Journey, a Song (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 01 Jul 2022

A lot of substantial or just different material might have enriched this documentary’s tidy fall-and-rise story…

Review of Rubikon (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 01 Jul 2022

Rubikon never offers viewers deep answers to its bigger questions, but it does pose enough questions to keep things moving while you watch…

Review of Sniper: The White Raven (2022)

By Simon Abrams (730) for TheWrap (3,203) on 29 Jun 2022

While Sniper: The White Raven sometimes delivers solid meat-and-potatoes action movie violence, the rest of the film only confirms the…

Review of The Black Phone (2022)

By Simon Abrams (730) for TheWrap (3,203) on 20 Jun 2022

Derrickson and Cargill successfully tailor their focused and mostly compelling narrative to a Steven Spielberg/Amblin Entertainment–esque…

Review of The Witch: Part 2. The Other One (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 20 Jun 2022

I’m not sure where this particular wannabe franchise is going or if anybody but initiated viewers will care to find out, but I could…

Review of Mad God (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 14 Jun 2022

Imagine, if you will, a dystopian nightmare set in a post-industrialized world that’s forever teetering on its last legs, but never quite…

Review of Dashcam (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 03 Jun 2022

Dashcam succeeds as a barrage of icky stimuli that may go great with a rowdy audience…

Review of RRR (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 01 Jun 2022

RRR feels simultaneously personal and gargantuan in scope…

Review of A Chiara (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 27 May 2022

Carpignano’s impressionistic plot and pseudo-naturalistic style also tends to boil down human emotions so as to only suggest rather than…

Review of Monstrous (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 13 May 2022

Christina Ricci does most, if not all, of the emotional lifting in the lightweight horror drama Monstrous, a period piece about a single…

Review of Hatching (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 29 Apr 2022

I often wished there was more to Hatching than just a few weak digs at bad mothers who are a little too online…

Review of I Love America (2022)

By Simon Abrams (730) for TheWrap (3,203) on 29 Apr 2022

The awkward transitions and clichéd merrymaking that define Lisa’s story will likewise be either more feature than bug for genre fans or…

Review of The Cellar (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 15 Apr 2022

The Cellar doesn't even need to be a smarter or even more faithful homage…

Review of Metal Lords (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 08 Apr 2022

The film may be cinematic comfort food, but its creators do earn our trust and nail all the essential beats they need to along the way…

Review of Babi Yar. Context (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 01 Apr 2022

The dual nature of “Babi Yar…

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Page 4 of 37

Simon Abrams has written reviews for:

Village Voice (8,525)
Slant Magazine (8,298)
Chicago Sun-Times (7,580)
Time Out (7,510)
RogerEbert.com (5,563)
Guardian (4,584)
The Playlist (3,871)
TheWrap (3,203)
The Guardian (2,969)
NPR (1,713)

Simon Abrams is connected to:

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