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Last updated: 23 Apr 2025 at 07:00 UTC

Movie Reviews by Tomris Laffly - Page 4 of 23

61-80 of 460 Reviews

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Review of The Man from Toronto (2022)

By Tomris Laffly (460) for Variety (12,700) on 23 Jun 2022

A throwback buddy action-comedy that offsets its run-of-the-mill sense of humor with a pair of appealing leads…

Review of Brian and Charles (2022)

By Tomris Laffly (460) for Variety (12,700) on 15 Jun 2022

A deceptively unserious movie it may be, but Brian and Charles leaves a serious trace through its pure sense of optimism…

Review of Father of the Bride (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 15 Jun 2022

It’s surely a crowded canvas…

Review of Lightyear (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 13 Jun 2022

What ultimately waters down Lightyear, an otherwise polished, gorgeous-looking entry into the Pixar oeuvre, is an absence of the excitement…

Review of Crimes of the Future (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 24 May 2022

It’s not exactly revolutionary, and more alarming than scary…

Review of Top Gun: Maverick (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 12 May 2022

As the jets cut through the atmosphere and brush their target soils in close-shave movements—all coherently edited by Eddie…

Review of Crush (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Apr 2022

What’s jarring in Crush is the absence of some requisite dose of youthful mischief, a sense of stakes and perhaps even a lightly…

Review of Crush (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Apr 2022

What’s jarring in Crush is the absence of some requisite dose of youthful mischief, a sense of stakes and perhaps even a lightly…

Review of Crush (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Apr 2022

What’s jarring in Crush is the absence of some requisite dose of youthful mischief, a sense of stakes and perhaps even a lightly…

Review of Crush (2022)

By Tomris Laffly (460) for Variety (12,700) on 29 Apr 2022

What’s jarring in Crush is the absence of some requisite dose of youthful mischief, a sense of stakes and perhaps even a lightly…

Review of I Love America (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 29 Apr 2022

I Love America is hardly a life-changing rom-com. But it’s a good candidate for your next airplane watch…

Review of Hit the Road (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 22 Apr 2022

For every laugh the family lets out, for each merry chance encounter they experience—like an oddly hysterical one with a Lance…

Review of We're All Going to the World's Fair (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Apr 2022

Through Cobb, we take an alarming and up-to-date look into the life of any average contemporary teenager that grows up and establishes a…

Review of The Northman (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 12 Apr 2022

At least from an ambition standpoint, Eggers’ devotion pays off in heaps. The Northman offers a lot to enjoy in what is a lot of movie…

Review of As They Made Us (2022)

By Tomris Laffly (460) for Variety (12,700) on 12 Apr 2022

Despite an eager-to-please ending that tries too hard to redeem the elderly Frays, Bialik’s movie still offers up hope, humor and above…

Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 05 Apr 2022

The most bewildering thing about The Secrets Of Dumbledore is how superfluous each of its ideas feel in relationship to one another…

Review of You Won't Be Alone (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 01 Apr 2022

You Won’t Be Alone announces the arrival of a fierce new genre talent, an inventive stylist and an unapologetic interrogator of mankind…

Review of The Outfit (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 18 Mar 2022

Movies rarely come as chic as The Outfit, a thrifty, continually unpredictable whodunit, fashioned with the same meticulousness found in…

Review of Turning Red (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 09 Mar 2022

While the film’s slightly bloated finale overpowers some of the leaner moments that come before it, Turning Red flickers with a bright…

Review of Offseason (2022)

By Tomris Laffly (460) for Variety (12,700) on 09 Mar 2022

Though thinly conceived overall with not much philosophy to back its daunting visuals, Offseason still offers some genuinely spine-tingling…

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