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Last updated: 23 Apr 2025 at 09:30 UTC

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Amsterdam (2022) - Movie Reviews - Page 4 of 5

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Review of Amsterdam (2022)

By Lucascardodeoli (1) on 07 Oct 2022

Films like this are sorely missed in cinema. It is the most sophisticated film of the year…

Review of Amsterdam (2022)

By David Fear (910) for Rolling Stone (4,035) on 07 Oct 2022

Russell, to his everlasting credit, has made a film in which having cockeyed optimism, at this moment in the world, somehow feels like a…

Review of Amsterdam (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 07 Oct 2022

With its whiplash-inducing tonal inconsistencies and sloppily assembled narrative, Amsterdam often feels like a pastiche of (take your…

Review of Amsterdam (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 07 Oct 2022

Cramming Amsterdam’s myriad subplots and political angles into a coherent two hours ultimately proves beyond Russell…

Review of Amsterdam (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 06 Oct 2022

Tilt your head and you can catch the ghost of combustive screen trios past: Design for Living, Band of Outsiders, Butch Cassidy and the…

Review of Amsterdam (2022)

By Vince Mancini (256) for Uproxx (697) on 06 Oct 2022

Amsterdam goes from wacky farce to preachy allegory before finally coming to rest as a sneakily profound riff on finding personal…

Review of Amsterdam (2022)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 06 Oct 2022

David O. Russell’s Amsterdam is very plush in the looks department…

Review of Amsterdam (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 06 Oct 2022

It’s all bloody exhausting, and pretty much from the start…

Review of Amsterdam (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 05 Oct 2022

It’s been seven years since the writer-director David O. Russell’s last movie. At its frequent best, “Amsterdam” makes it worth the wait…

Review of Amsterdam (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 05 Oct 2022

Amsterdam is full of quips, cocked heads, characters peeking around doorway frames, and a cast of single-purpose characters…

Review of Amsterdam (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 05 Oct 2022

Unlike “Hustle,” Amsterdam only fitfully locates the moment-to-moment comic verve — or the bittersweet sense of longing — that…

Review of Amsterdam (2022)

By Jeff Ewing (14) for Slashfilm (971) on 05 Oct 2022

Amsterdam indeed has a number of charming scenes, a stunningly top-tier cast, and flawless cinematography…

Review of Amsterdam (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 05 Oct 2022

In the case of David O…

Review of Amsterdam (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 05 Oct 2022

Amsterdam has every advantage imaginable. Doesn’t matter…

Review of Amsterdam (2022)

By Brian Truitt (541) for USA Today (4,117) on 04 Oct 2022

Although entertaining throughout, it suffers from a certain lack of focus – bouncing from screwball humor to war-movie gravitas –…

Review of Amsterdam (2022)

By Oliver Jones (215) for Observer (1,042) on 04 Oct 2022

Murder mystery, romance, farce, war movie, political polemic with everything from racism to veterans’ care to American fascism in its…

Review of Amsterdam (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 04 Oct 2022

When all is said and done, storytelling this glaringly flawed cannot be overlooked, and the wonderful elements of Amsterdam can only do so…

Review of Amsterdam (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 04 Oct 2022

Amsterdam is not a great movie by any shakes, although it looks terrific and all of the performances . . . are energetic, entertaining, and enjoyable…

Review of Amsterdam (2022)

By Jamie Graham (285) for Total Film (3,532) on 04 Oct 2022

It's a rocky, at times patience-testing ride that plays something like a screwball riff on The Plot Against America, but Amsterdam is…

Review of Amsterdam (2022)

By Mary Siroky (10) for Consequence (296) on 04 Oct 2022

Towards the end of the film, Bale’s character embarks on a monologue about the “power of kindness” and the “tapestry of life”…

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