Movie Reviews Published by Austin Chronicle - Page 2 of 383

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Review of Talk to Me (2023)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 26 Jul 2023

Talk to Me is hardly a bad horror film, but the disconnect between what was and what could be looms large over the final act…

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Review of Haunted Mansion (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 25 Jul 2023

The experience is a little like being stuck in a Doom Buggy on a day when the ride is very stop-start…

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Review of Blue Jean (2023)

By Alejandra Martinez (38) for Austin Chronicle (7,653) on 20 Jul 2023

It’s a stunning debut worth seeking out, a reminder of what has passed and what is rearing its ugly head once again, and a statement…

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Review of Cobweb (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 19 Jul 2023

Cobweb's greatest achievement is in ambiguity, in leading the story to its inevitable ending without ever sacrificing that unnerving quality…

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Review of Oppenheimer (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 19 Jul 2023

In a way, Oppenheimer is like atomic physics: Each tiny spark interlocks to create a massive, breathtaking, terrifying, conflagration…

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Review of Cobweb (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 19 Jul 2023

Cobweb's greatest achievement is in ambiguity, in leading the story to its inevitable ending without ever sacrificing that unnerving quality…

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Review of Barbie (2023)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 18 Jul 2023

Barbie, the toy, see-saws in the culture between extremes: Is she an aspirational figure, or the fastest way to f*ck up a kid’s…

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Review of The League (2023)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 17 Jul 2023

Anyone who wants to better understand the cultural conditions leading up to the civil rights movement would do well to check out The League…

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Review of Theater Camp (2023)

By Steve Davis (486) for Austin Chronicle (7,653) on 12 Jul 2023

Theater Camp may not qualify as a 24-carat enterprise, but when it occasionally shines, it glimmers with a love for the transformative…

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Review of The YouTube Effect (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Jul 2023

Winter can't resist the cheering idea that, for all its sins, YouTube has created a new, disseminated knowledge base…

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Review of The Miracle Club (2023)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 12 Jul 2023

Alongside Kathy Bates and Laura Linney, Smith is one of three grande dames of acting headlining The Miracle Club…

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Review of Close to Vermeer (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Jul 2023

While Raes may not be able to replicate the experience of the show for the cinematic audience, she undoubtedly leaves them with a new…

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Review of Mission: Impossible - Dead Reckoning Part One (2023)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 11 Jul 2023

Even at 163 minutes, there’s so much crammed in that threatens to make Dead Reckoning Part One feel at once overstuffed and overfamiliar…

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Review of Insidious: The Red Door (2023)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 10 Jul 2023

Similar to Wan’s The Conjuring universe, Insidious has long overstayed its welcome, reaching the point where its spark has quelled and…

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Review of Once Upon a Time in Uganda (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 06 Jul 2023

Mixing fly-on-the-wall observation with behind-the-scenes footage and reenactments, Czubek and Perez remain respectful, and even a little…

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Review of Joy Ride (2023)

By Marjorie Baumgarten (1,950) for Austin Chronicle (7,653) on 05 Jul 2023

Joy Ride slides comfortably into the tradition of hard-R road-trip movies while also demonstrating that American culture still has many…

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Review of It Ain't Over (2023)

By Steve Davis (486) for Austin Chronicle (7,653) on 05 Jul 2023

Above everything else, this tribute is a valentine to a man you can’t help but love…

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Review of Biosphere (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 05 Jul 2023

Written by Mark Duplass and first-time feature director and veteran producer Mel Eslyn (Tony Hawk: Until the Wheels Fall Off, The One I…

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Review of Stay Awake (2023)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 05 Jul 2023

Sisley has created an authentic and nuanced portrait of a family not just in crisis, but in transition: big transition, sparked by the…

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Review of Carmen (2023)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 05 Jul 2023

What the film itself is trying to communicate proves more elusive; whatever meaning Millepied meant to impart by tethering this “entirely…

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