Movie Reviews Published by Dare Daniel - Page 2 of 3

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Review of Ex Libris: The New York Public Library (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 27 Oct 2018

Wiseman allows ample space for discovery and digression, and over the course of 197 mostly compelling minutes, disconnected vignettes shot…

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Review of Chavela (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 27 Oct 2018

An affectionate but rudimentary documentary introduction to Chavela Vargas…

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Review of Sleepaway Camp (1983)

By Daniel Barnes (335) for Dare Daniel (41) on 22 Oct 2018

An atypical slasher movie that blurs the lines between high and low art, good and bad acting, male and female, proficiency and ineptitude,…

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Review of Rawhead Rex (1986)

By Daniel Barnes (335) for Dare Daniel (41) on 20 Oct 2018

With a dog of a script from Clive Barker, the film failed to inspire a Pavlou-vian response…

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Review of The Breadwinner (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 20 Oct 2018

A downbeat drama with elements of inspirational fantasy…

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Review of LA 92 (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 20 Oct 2018

A harrowing, sweeping, intelligent, dynamic and elegantly constructed montage…

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Review of God's Own Country (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 20 Oct 2018

Plodding and impenetrable in its shaky-cam stoicism…

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Review of Tragedy Girls (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 20 Oct 2018

A cheap, bad-looking, one-joke movie (Millennials and their social media amirite nyuk nyuk nyuk) filled with enough tired and uninsightful…

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Review of The Cloverfield Paradox (2018)

By Daniel Barnes (335) for Dare Daniel (41) on 20 Oct 2018

The Cloverfield Paradox concerns an energy crisis on Earth, and yet the greater concern is the energy crisis onscreen…

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Review of Keep the Change (2018)

By Daniel Barnes (335) for Dare Daniel (41) on 19 Oct 2018

The complex portrayal of autism is refreshing, but apart from the milieu and the charisma of the cast, this is a fairly standard indie rom-com…

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Review of The Sacrifice (1986)

By Daniel Barnes (335) for Dare Daniel (41) on 19 Oct 2018

I was fascinated by the unusual elements on display - the inscrutable story structure, the deceptively complex long takes, the way that…

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Review of Gemini (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 19 Oct 2018

Gemini essentially blends together the character dynamics from the last two Olivier Assayas films, then filters them through a sun-dazed,…

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Review of Transylmania (2009)

By Daniel Barnes (335) for Dare Daniel (41) on 19 Oct 2018

A rancidly unfunny yet pointlessly complex comedy with Ed Gein-level humor, rampant misogyny and homophobia, and a cast of 34-year-old college kids…

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Review of A Pigeon Sat on a Branch Reflecting on Existence (2014)

By Daniel Barnes (335) for Dare Daniel (41) on 12 Oct 2018

Andersson doesn't move the camera or cut within the sequences, instead emphasizing composition and interior space, and allowing us to dwell…

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Review of The Handmaiden (2016)

By Daniel Barnes (335) for Dare Daniel (41) on 12 Oct 2018

It would be a shame to spoil any of the silky curves of the story but sufficed to say that silver bells aren't just for Christmas time in…

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Review of The Endless (2017)

By Daniel Barnes (335) for Dare Daniel (41) on 12 Oct 2018

Another super-intriguing, shoegazing, almost-there slice of genre revision from the directors of Spring…

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Review of Generation Wealth (2018)

By Daniel Barnes (335) for Dare Daniel (41) on 12 Oct 2018

The degree of difficulty here is off the charts, and the wildly uneven results only make the achievement of Kirsten Johnson's Cameraperson…

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Review of Damsel (2018)

By Daniel Barnes (335) for Dare Daniel (41) on 12 Oct 2018

If you're looking for a revisionist western, you could do a hell of a lot better - Damsel couldn't carry the water of The Missouri Breaks…

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Review of Support the Girls (2018)

By Daniel Barnes (335) for Dare Daniel (41) on 12 Oct 2018

Coyote Ugly meets Clerks by way of Linklater and Lizzie Borden…

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Review of Madeline's Madeline (2018)

By Daniel Barnes (335) for Dare Daniel (41) on 11 Oct 2018

Madeline's Madeline crackles with a strange and unpredictable energy from the first moments and rarely lets up…

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Dare Daniel features reviews by:

Daniel Barnes (335)

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