Movie Reviews Published by The Seattle Times - Page 4 of 49

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Review of Violent Night (2022)

By Soren Andersen (496) for The Seattle Times (964) on 08 Dec 2022

The picture is a hugely entertaining crowd-pleaser studded with laugh-out-loud moments from beginning to end…

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Review of The Fabelmans (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 23 Nov 2022

The Fabelmans is a movie about being seen — and about learning to see…

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Review of Strange World (2022)

By Soren Andersen (496) for The Seattle Times (964) on 23 Nov 2022

The uneasy marriage of clunky psychodrama and overwrought special effects along with the fact that none of these characters are…

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Review of Strange World (2022)

By Soren Andersen (496) for The Seattle Times (964) on 23 Nov 2022

The uneasy marriage of clunky psychodrama and overwrought special effects along with the fact that none of these characters are…

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Review of Guillermo del Toro's Pinocchio (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 22 Nov 2022

It’s an artful, moving and often beautiful film, but be careful about showing it to young children; nightmares could ensue…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 21 Nov 2022

You watch “Glass Onion” relaxed, feeling like you’re in good hands; everyone on-screen is clearly having a wonderful time, so you…

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Review of Disenchanted (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 18 Nov 2022

Adams, six Academy Award nominations later, still sings and dances like a Technicolor dream, and this time around she gets to have some fun…

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Review of The Menu (2022)

By Bethany Jean Clement (6) for The Seattle Times (964) on 17 Nov 2022

For the right audience, The Menu also succeeds as satire of the darkest possible, hilarious kind, best served with plenty of popcorn…

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Review of She Said (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 16 Nov 2022

It’s a moving and engaging film about finding truth, told through the perspective of two people who are very, very good at their jobs…

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Review of Black Panther: Wakanda Forever (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 08 Nov 2022

There’s so much that Black Panther: Wakanda Forever does right that it’s frustrating to blame it for the one flaw it can’t help…

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Review of Good Night Oppy (2022)

By Soren Andersen (496) for The Seattle Times (964) on 02 Nov 2022

“Oppy” is a salute to the best of what humans are capable when they unite in a common purpose to expand their knowledge of matters…

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Review of Causeway (2022)

By Soren Andersen (496) for The Seattle Times (964) on 02 Nov 2022

Henry’s performance is delicately nuanced. His character is by turns cheerful, ruminative, anguished…

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Review of Till (2022)

By Soren Andersen (496) for The Seattle Times (964) on 27 Oct 2022

Under Chukwu’s steady, sensitive direction, Deadwyler’s performance is such that it overshadows everyone else in the movie…

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Review of Till (2022)

By Soren Andersen (496) for The Seattle Times (964) on 27 Oct 2022

Under Chukwu’s steady, sensitive direction, Deadwyler’s performance is such that it overshadows everyone else in the movie…

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Review of TÁR (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 21 Oct 2022

This tale of ambition and its cost — and its collateral damage — is Blanchett’s movie, and she delivers a tour de force in every scene…

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Review of Black Adam (2022)

By Soren Andersen (496) for The Seattle Times (964) on 21 Oct 2022

Once it gets going, Black Adam feels like a continuous closed loop of destruction where the moments of mayhem blend darn near seamlessly…

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Review of Ticket to Paradise (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 21 Oct 2022

Ticket to Paradise is all about the welcome sight of a pair of movie stars who know exactly what to do with their wattage…

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Review of Lyle, Lyle, Crocodile (2022)

By Soren Andersen (496) for The Seattle Times (964) on 06 Oct 2022

The whole picture is an exercise in obvious effort, try, try, trying really hard to win the audience’s affection…

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Review of Amsterdam (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 04 Oct 2022

Amsterdam is not entirely without small pleasures: Emmanuel Lubezki’s sepia-toned cinematography is lovely to look at, and it’s fun to…

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Review of Smile (2022)

By Katie Walsh (1,279) for The Seattle Times (964) on 29 Sep 2022

Bacon’s performance as well as Finn’s detailed craft manage to hold tension, and the audience’s attention, for the hour and 55 minute…

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